Stone Age to Iron Age Class Play Cast of 30 – easily adjustable up or down Duration: 15 to 20 minutes not including music suggestions This is one of two scripts written by Sue Russell and was written for upper Key Stage II (9 – 11 year olds). The second, Changes in Britain from the Stone Age to the Iron Age - also available off this website - was written as a simplified version of this one, for lower Key Stage II i.e. 7 – 9 year olds. This script has a truly wide-ranging cast that includes a hunter gatherer, a farmer, some guys with ropes from Stonehenge, a 'Rolling Stone', a caveman, ape, cast of Ice Age, a Celt, Iron Man ... and a Narrator and Archaeologist that just can't seem to get on! Starting 9 million years ago and running through all three 'ages': Stone, Bronze and Iron (yes, the play does take 'ages'!) this is an informative but, as usual, fun romp through history - with one long-suffering narrator! I chose to try to explain a little about evolution and how Stone Age Man 'came about' so as to put the aforementioned Ages into context. There is a phenomenal amount of information to cover in this 'Unit' but I hope I have covered the most important changes in this class play. The guided reading scripts, which can be read in the classroom, to accompany this class play, will I hope offer a more comprehensive coverage of the subject, with the usual quizzes to assess knowledge gained. Sample Text: Whole Cast: (Together) The Stone Age! Narrator: Ah! There we are! Now, that’s progress for you! (Enter Hunter Gatherer) (Narrator looks him up and down) Narrator: Hmm. Well, maybe not that much progress! (Exit Hunter Gatherer, shrugging his shoulders) Child 9: (To Narrator, angrily) Patience! Evolution takes time! It doesn’t just happen overnight, you know! Narrator: (Looking at his watch) I’m beginning to realise that. Now, where are we on that timeline? Child 8: (To Narrator, impatiently) Around 2 and a half million years ago! Weren’t you listening? When man starting using stone tools! That’s why it’s called Whole cast: (Together) The Stone Age! Narrator: OK! We got that! But how do we know that’s when stone tools were used? (Enter Archaeologist) Archaeologist: (To Narrator) You asking more questions again? Narrator: Well, Archaeologist: (Interrupting) That’s OK! That’s why I’m hired to do my job! To give people like you evidence!

Baghdad Early Islamic Civilization Assembly Cast size: 30 - easily adaptable up or down as, besides the Narrator, the speaking parts are just numbered 1 - 29. Duration: Around 15 minutes reading time (not including music suggestions) This assembly is intended as a celebration of learning and toleration. And it is to this end that the focus is on the work of the individual scholars, working in unison in Baghdad, during this Golden Age. Included is a brief comparison of ‘East and West’– comparing London and Baghdad. Also available from Sue Russell: • Baghdad Early Islamic Civilisation Guided Reading Scripts 5 scripts, 6 speakers each, plus quiz for each script. Approximately 5 minutes reading time for each (not including the quiz) 1. When? 2. Where? 3. The Story of Muhammed 4. Beliefs of Islam 5. World Religions And • An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs Sample Text: Music 1 Golden Years – David Bowie; or Imagine – John Lennon (Children file in, taking places along two rows of 15, facing the audience) Narrator: Good morning and welcome to our assembly on Whole cast: (Together) Baghdad and Early Islamic Civilisation (Child 1, 2 and 3 stand up with 3 banners: Golden Age, Learning and Tolerance) Narrator: Aha! And when was this Golden Age? Child 1: It was between the seventh and thirteenth centuries. That is, around six to twelve hundred A.D. Narrator: That’s a long time (looking towards Child 2 and 3) to be learned and tolerant! Child 4: Oh. You’d be surprised what mankind is capable of when the conditions are right! Narrator: (Looking at cast) Well. I think we need to find out what these ‘conditions’ were, don’t you? (Narrator ushers Child 2 and 3 with banners Learning and Tolerance to front of ‘stage’) After all, aren’t Learning (Child 2 waves banner) And Tolerance Child 3 waves banner) Two of the most important ingredients to a happy and stable society? Child 4: And a happy and stable school! Child 5: Yes, we (gesturing to cast) have all learned a huge amount about the importance of Learning and Tolerance Child 6: Just by doing this assembly! Narrator: How so? Child 7: Well, we’ve learned all about this amazing civilisation that we knew nothing about before Child 8: And we’ve learned how it actually was, and is, possible to work together for the greater good.

Our School's Got Talent Leavers' Assembly With a panel of judges drawn from teaching staff and school students, is there any possibility of justice - when it comes to judging the contestants?! Cast Size: 15 – 30 (For larger cast – up to 90 – see Production Notes) Duration: Around 20-30 minutes (to up to an hour – see Production Notes) Sample Text Music 1 - John Williams: Summon the Heroes (Everyone files in and takes up places) Head Teacher: Good morning and welcome to our Leavers Assembly for Year 6s. I have great pleasure in (Sound of ‘ranting’ from off stage, as Rant and Heck ‘explode’ onto stage) Rant: (Hysterically) Us? Today? Presenting a school version of Britain’s Got Talent? Heck: Why, yes! Oh heck! Didn’t I mention this to you? Rant: (Exploding) Didn’t I mention this to you? Well, of course you didn’t! Do you seriously think I would have agreed? Heck: (Spluttering) But… but… Rant: But… but… nothing! You’ve talked me into more than enough daft situations in the past – but not today! Heck: (Turning to Head Teacher) Oh heck! This probably isn’t what you were hoping for? Rant: And who’s this? Head Teacher: I’m the head teacher of …… Primary School. (Advances towards Rant with outstretched hand) So pleased to meet you! Allow me to introduce you, Rant (pointing to Rant) and you, Heck (pointing to Heck) to our audience assembled here today! You’re just in time to kick off our 2016 Leavers Assembly! Rant: (Incredulously) Kick off? Kick off, did you say? Well, if it’s Wayne Rooney … (pauses and mutters) …hmm, make that Lionel Messi - that you want to ‘kick off’ things today – you’re out of luck! Heck: No! No! He doesn’t need an international football star! He asked for us! Head Teacher: But if it’s too much trouble … Heck: Oh heck! Of course it’s not! Rant and Heck at your service! Other Leavers Assemblies by Sue Russell: • Olympics Leavers Assembly • School's Out Leavers' Assembly • It’s Good to be Me Leavers Assembly • Leavers Assembly for Year 6s

Africa Assembly This African Class Play covers North, South, East, West and Central Africa Cast of 30 - easily adaptable up or down Duration - 15 minutes without inclusion of music (playlist of 14 wonderful songs - this could double length of performance!) With so much extraordinary wildlife, is there going to be any time left for just a mention of man's part in this vast continent?! Our trusty narrator will, as always, make sure this happens - striving as always to keep his cast members under control! He does, however, have his work cut out for him with this one - keen safari members, intrepid expeditionaries, dancing tribesmen, and Ancient Egyptians … all proving more than a match for the wildlife?! Sample Text Narrator: (Aside to audience) Phew! At least we were spared the music this time Music 13 In the Jungle the Mighty Jungle – Lion King (opening lines) Narrator: Oh no! I spoke too soon! Stop! You know what we need around here? A piece of real drama! (Narrator beckons to Children 25-29 and after a quick ‘conversation’, children line up and address the audience) Child 25: We would like to perform for you a brief African Adventure. Child 26: Starring me, the great explorer David Livingstone Child 27: And me, the equally great Henry Stanley. Child 26: Er, wait a minute! Who said anything about being equally great? I was the explorer, remember? You just found me! Child 27: Huh! Famous undoubtedly only because everyone remembers my words ‘Doctor Livingstone, I presume.’! My men and I (Cheers from Child 28 & 29) We went on to take part in the biggest African expedition ever. Child 28: (Wiping his/her brow) Phew! It’s a bit hot for me, under this blazing African sun! (Loud grunt/growl) Child 28: (Screaming) Help! What was that? Child 29: Maybe one of those fierce African tribes we’ve heard so much about! Both: Run! Child 28: Livingstone can stick his expedition! Child 29: We’re off home! This is one of several assemblies written by Sue Russell on different countries. Others include England, Scotland, Wales, Great Britain, Holland, Australia, France, Spain, Malta and India plus ‘Around the World in 20 Minutes’.

Australian Assembly In celebration of Australia Day - joint narration by Pom and Swagman - an interesting mix of language and culture! tapping into this great country's history, geography and culture. Cast Size 24 but easily adjustable up or down (information can be split up between several more children taking cast size to 30) Duration Around 10 minutes reading time – this does not include music suggestions and ‘song performances’ Following is a review from publisher contact: A short play giving a lot of information about the land down under: some history, some wildlife, some music and some facts and figures to round it all out. This is another well-presented assembly from Sue Russell. There is the usual large cast size to accommodate a class group, with the many, small parts offset by having the two main characters who are onstage for the majority of the production. There are regular musical interludes to add interest, and any passages that contain recitation of facts, figures or histories are balanced by changing the speakers or having the characters react – I particularly liked the Swagman complaining there was too much dry information. To conclude: a bright, fast overview of a big, big country and a good introduction to a school topic. Sample Text Narrator: Good morning and welcome to our assembly on Australia. (Swagman strolls nonchalantly onto stage, looking around and ‘sizing' everyone up, before going over to Narrator, who is eyeing him cautiously) Swagman: G'day, mate! So what's all this about? Narrator: (Politely) Begging your pardon .. Swagman: (Interrupting) Ah! A Pom! Now how did I guess? Narrator: (Defensively) Something to do with me speaking the Queen's English? And as one of her loyal servants Swagman: (Interrupting) Don't tell me! You're gonna tell all these good folks about life ‘Down Under'? Well, allow me to help out a little. (Turning to Cast) What says you to us livening things up a little around here? (Whole cast nods enthusiastically, relaxing former ‘standing on ceremony' posture) (Swagman walks over to CD player and turns on ‘Down Under' - chorus, children singing and dancing, whilst Narrator looks on in horror) Music 2 - Down Under by Men at Work Narrator: (To Cast) Cut! (To Swagman, irately) Hey! Just what do you think you are doing? I'm in charge here! Swagman: No worries, mate! No need to chuck a wobbly! I was only trying to help. (Pointing to Cast) These guys and Sheilas just looked like they'd enjoy a little taste of the real Oz. Narrator: What? As delivered by a .. by a ... Swagman: Swagman, that's me! And here (taking off bag from his back) .. Meet Matilda!

Fairy Tales Assembly for Key Stage I (Numerous alternative fairy tale plays available for Key Stage II) This assembly or class play is based upon the following fairy tales: · Sleeping Beauty · Cinderella · Snow White and the Seven Dwarfs · The Three Little Pigs · Goldilocks and the Three Bears Cast of 30 (easily adaptable up or down) Duration Around 10 minutes reading time (without inclusion of music suggestions) Quite an eye-opener this one - for our narrator, at least! It would seem you really can’t judge a book by its cover - well, certainly not when you're dealing with these fairy tale characters! Sample Text: Music 6 Who’s Afraid of the Big Bad Wolf (Wolf suddenly jumps out from hiding, bringing cheerful singing to an abrupt halt) Wolf: (Grinning) Ha! Not so full of yourselves now, huh? Little Pig 1: (Hiding behind Little Pig 3) You don’t frighten me! Little Pig 2: (Hiding behind Little Pig 3) You can’t bully us! Wolf: (Laughing) Oh really? (Wolf lets out a huge growl and all three little pigs ‘run for their lives’) Wolf: (Laughing) Whose afraid now? Narrator: Now, that really wasn’t very nice of you! Wolf: (Repeating, incredulously) Nice of me? Whoever heard of a nice Big Bad Wolf? Narrator: But you’re not really big and bad, are you? Wolf: Of course not! But (pointing to the audience) I have to keep this lot happy, don’t I? Narrator: You mean, being big and bad is what is expected of you? Wolf: Of course! It’s all an act! Narrator: (Clapping) Well, you’re very convincing! And (looking at audience) I for one am mighty relieved he’s not as bad as you all think he is! (Wolf shakes hands with narrator, growls savagely at audience, and exits) Narrator: Ah! I do so love happy endings! Me still being alive, that is!

The Wonderful Wizard of Oz Play This re-telling of the original story stays true to the plot - with just a small twist at the end. Oh, and anyone wishing to play the original 'delightfully wholesome' Dorothy may be in for a bit of a shock! There is also a Christmas version of this class play or assembly - with, as you would expect, a few Xmas additions! This is available as a separate purchase. Cast of 30 (with some doubling up) Duration: Around 30 minutes not including the music suggestions. Also available: · The Wizard of Oz Guided Reading Scripts (10 of these, with 6 speakers each; around 3 minutes each – total reading time around 30 minutes Sample Text: Wicked Witch: Now. Where have that little gang of misfits got to? I don’t suppose anyone would miss them! Narrator: Whatever do you mean, ma’am? ‘Miss them’? Wicked Witch: Oh, haven’t you heard? I’m about to wipe them off the face of Oz! Good riddance I say! Narrator: (Gasping) You what? But you can’t! Wicked Witch: Oh really? Just watch me! (Enter Dorothy, Toto, Scarecrow, Tin Woodman and Cowardly Lion) Wicked Witch: Ah here they all are! Right on cue! Like lambs to the slaughter! (Sound of wolves howling) Wicked Witch: Bring on the wolves! (Enter wolves – who are then all ‘knocked out’ by Tin Woodman) (Whole cast cheers, as Tin Woodman waves his axe triumphantly) (Exit wolves, rubbing their heads) Wicked Witch: (To Tin Woodman) Hey! That’s no way to treat my pets! I’ll report you to the RSPCA! (Sound of Crows ‘cawing’) Wicked Witch: Bring on the crows! (Enter crows. Scarecrow pulls a silly face and they all retreat in terror) (Whole cast cheers, as Scarecrow struts up and down triumphantly) Wicked Witch: Hey! What happened to my crows? Narrator: (Pointing to Scarecrow) Well, he is a scarecrow, remember? (Wicked Witch stamps her foot in disgust) (Sound of bees buzzing) Wicked Witch: Bring on the black bees! (Enter bees. Each ‘stings’ Tin Woodman then ‘drops down dead’) (Whole cast cheers as Tin Woodman struts around victoriously) Wicked Witch: (Shrieking) Now what? What has happened to my black bees? Narrator: Er, I think you’ll find they just all died. Isn’t that what bees do, once they have stung? Wicked Witch: (Shaking fist) Drat! And double drat! Why didn’t I think of that? (Sound of marching feet) Wicked Witch: Bring on my Winkie Soldiers! (Enter Winkie Soldiers, marching purposefully towards ‘the group’) (Lion lets out a huge roar and the soldiers all panic and run away in terror) (Whole cast cheers as Cowardly Lion struts around triumphantly) (Wicked Witch screams her dismay) Wicked Witch: Right! That’s it! You’ve asked for it this time!

Robots Assembly When is a human not a human? When is a robot not a robot? Our unsuspecting Narrator is just about to find out the hard way! As are those androids - when having a sense of humour is not enough! Cast size: 30 (easily adjustable up or down) Duration: around 20 minutes (depending on amount of music used) Sample Text 1: Music 1 – I Can Transform Ya – Chris Brown (Children file in, sitting down in two rows of fifteen, facing the audience) Narrator: Good morning and I am happy to introduce you to my magnificent cast (Narrator gestures to cast to rise) (Whole cast rises to its feet) Whole Cast: (Robotically) Good morning! ... Very pleased to meet you! (Narrator gestures to cast to sit) (Whole cast sits down) Narrator: What a well-behaved lot! (Aside to audience) I can see I’m going to enjoy this particular assembly … (pointing to cast) … on robots, in case you hadn’t guessed. Sure beats my usual task of directing noisy, badly behaved children! Sample Text 2: Group III: (Together) How did you guess? Narrator: Oh, when you’ve been around children as long as I have, you come to know them pretty well. Child 7: But they’re human aren’t they? Narrator: Hmm. Now, there’s a question! Child 8: But, they laugh and cry, don’t they? Child 9: Weren’t we convincing enough? Child 10: We laughed at all the jokes Child 11: We even laughed in all the right places! Child 12: We cried during that soppy song Child 13: Real tears! Child 14: We showed all the emotions you humans go on about! Child 15: So where did we go wrong? Child 1: I think we can answer that. Child 2: No human child, with half a brain, would find those particular jokes funny! Child 3: Truly lame is what they were!

Superheroes Assembly for Key Stage I Duration: Around 10 – 15 minutes depending on how many ‘superhero demonstrations’ there are. The first ‘speaking’ part of the assembly is around 5 minutes reading time. The rest of the assembly is down to the teacher in charge as explained in Production Notes. Cast: Written for cast of 30 but easily adaptable up or down. The cast comprises class teacher as narrator plus children 1 – 30. This assembly or class play is in roughly two parts - the first deals with the qualities of a superhero and how a superhero would change the world; the second is a demonstration of 'superpowers' by different 'superheroes'. It is very much a 'movable feast' - the children can make their own choices re: how they'd change the world; and likewise choose which superheroes they'd like to portray - they can even make up their own. I have thus provided a 'template' which can be adapted according to class numbers and 'members'. Sample Text: Narrator: Good morning and welcome to our assembly on Whole cast: (Together) Superheroes! Narrator: So, for the benefit of our audience, what makes a superhero? Or maybe I should ask the question, what makes a hero super? Child 1: Super powers, of course! Child 2: You can’t do much without them! Child 3: Especially against those horrible baddies! Narrator: So. Let me get this straight. Heroes are always good? Child 4: Right. They fight for what is good in the world Child 5: Against all that is bad! Narrator: That must take a lot of courage! Child 6: That’s why they’re superheroes! Child 7: Brave! Child 8: Strong! Child 9: And determined! Child 10: It’s not always easy being a superhero! Narrator: (To cast) So. If you had the powers of a superhero, what would you do to make the world a better place? Child 11: I would take food to everyone who was hungry. Child 12: I would give shelter to everyone without a home. Child 13: I would hug everyone who feels unloved. Child 14: I would drive around in a Ferrari! Narrator: (Snorting) Oh really! And how is that going to improve the world? Child 14: Well, it would certainly improve mine!

Environment Assembly - what can we do to help? Cast of 30 - easily adapted up or down. Narrator plus 29 protestors! And who would have thought our narrator would find himself ... a protestor? Duration - around 15 minutes reading time (not including music suggestions). The length of the script can of course be easily extended by adding on more information about man's negative impact on the environment and what we can do to reduce our carbon footprints. Sample text: Protestor 28: We can all do something Protestor 29: Even if it’s just in our own back yard. Narrator: (Applauding) Ah! Now you’re making sense! You see, sometimes I think we look at the big picture Protestor 1: (Interrupting) And feel overwhelmed? Narrator: Exactly! I mean, we all know about global warming, the greenhouse effect, the destruction of rainforests. And I for one think, well, what can I do about it? Protestor 1: And the good news is Whole cast: (Shouting together) Plenty! Narrator: Oh really? Well, you know something? I’m feeling better already! Protestor 2: So, here’s what we can do to help and sustain our world. Narrator: Hold on! Could you just explain what you mean by that last bit? Protestor 2: What? You mean the bit about sustaining our world? Narrator: Yes. If you would, please. Protestor 3: OK. So what we mean by sustaining life on this planet is looking after it in a way or ways which will last. We’re not looking for quick fix solutions which won’t last. Narrator: Excellent. And by ‘life’ Protestor 4: We don’t just mean that of us human beings Protestor 5: But the life of plants Protestor 6: Wildlife Protestor 7: Ecosystems Protestor 8: And habitats Narrator: You mean like the rainforests, the poles, the deserts, the oceans Protestor 9: Well, yes. But there are places far nearer to home that we can make a difference to now. Narrator: (Wiping his brow) Phew! I am so relieved you said that. I was beginning to feel overwhelmed again! Protestor 10: Let’s keep this simple! Narrator: Oh please! That would be a great comfort to me! Protestor 11: So, what can we do in our own back yard? Protestor 12: Clear it up? (Everyone laughs) Protestor 11: You’re right! That’s a good place to start. We all have way too much rubbish! Narrator: So how can we stop that? Protestor 12: How about we start with recycling? Narrator: You mean cycling … in reverse? (Everyone groans) Protestor 12: How about you leave the jokes to us! Though, recycling is no laughing matter. We should all be doing it.

The Anglo-Saxon Guided Reading Scripts 5 plays (6 speakers each) and 5 quizzes Also available as an assembly or class play Play 1 Introduction King Arthur: I'll say! All we wanted in 410 A.D. was a ‘quick fix'. Guthrum: Funny how raiding, invading and then conquering often end up with settling. Vikings did that too! Asser: How true! The Anglo-Saxons started their raiding in 350 A.D. Then started invading in 430 A.D. and then settled themselves in Britain just 20 years later! Play 2 Anglo-Saxon Life Freya: Now, now dear! Don't be too harsh. They're a bit simple, this lot. I mean, just look at where they live! Thor: Yes, in a wooden house, with an open fire in the middle Freya: And no chimney! No wonder they stink of smoke! Play 3 Sutton Hoo Discovery Raedwald: And didn't you have a dream - about a funeral procession and treasures? Edith Pretty: Funny you should say that! Yes, I did! How do you know about that? Raedwald: Well, I was in it! I was getting tired of watching you and your son counting the rabbits on those burial mounds, every day! I kept thinking, when are they going to realise what riches they're standing on! Play 4 Beowulf King Hroogar: right party pooper! Just because you're too miserable to enjoy a bit of singing and dancing! Grendel: Woken from my sleep by your partying! No wonder I was driven to murder! Beowulf: But to go and kill those warriors, while they were sleeping! What cowardice! King Hroogar: And then to eat them! Grendel: How yummy! Now, if you'll excuse me! I'm off for a nap - let this lot digest before I come back for more! Play 5 Arthur and the Knights of the Round Table Merlin: And those emblems around your necks? Guinevere: To remind them to lead pure lives, always seeking the very best, on the path of the Holy Grail - that symbol of God's grace. Arthur: Yes, that was the cross. But haven't you forgotten the red dragon and what that stood for? Lancelot? Lancelot: You mean serving my king? Well I did that on the battlefield. It just slipped my mind at other times. Arthur: Yes, like when you were near my wife!

Wind in the Willows Play or Set of Guided Reading Scripts This script is suitable for use as Guided Reading (Readers Theater) or for performance. Instead of being sold as two separate products, it is in effect 2 for the price of 1 – as the customer can use it for either purpose. Guided Reading: The 5 scenes can be used by 5 groups of 6 children i.e. a total of 30 altogether and simply read in the classroom, ‘around the table’. In this format, the music suggestions and ‘extra cast’ would obviously be dropped. Duration Around 25 to 30 minutes (about 5 minutes for each script) Play - for Performance Purposes: Use of the entire cast of 30: 6 speakers plus Woodland Creatures and Law Force, along with music suggestions. The length of performance can be reduced from 45 minutes plus to around 20 minutes by less use of music and the omission of one or more scenes. · Play/Performance: 30 minutes plus time for inclusion of music/routines – of around 15 minutes. Total: around 45 minutes – probably a bit longer. · Assembly or Class Play. The length of the play could be reduced to around 20 minutes by omitting one or more of the scenes. Sample Text: Badger: (Exploding) Toad learn his lesson? I don’t think so! Not with his Mole: (Interrupting hurriedly) More sandwiches, anyone? Badger: (To Mole) You’re way too soft on him, Mole. Toad: (Indignantly) Hello! I am still here you know! (Toad continues to fill his mouth with food) Badger: Taking advantage of your friends, as usual! (Badger helps himself to some sandwiches) Toad: Well, you don’t seem to be doing so badly, yourself! Good sandwiches? Badger: Indeed they are! You certainly know how to put together a fine picnic, Ratty! Ratty: Well, thank you. This ol’ brain of mine does have its uses! Mole: Such a clever animal! Badger: And just as well, some of the scrapes you lot got yourselves into! Gaoler: Oh, we know all about those! Stealing a car and driving it with no thought for the safety of others! Badger: That’s Toad, to a T! Toad: (Indignantly) Whatever do you mean? Badger: Just that, nine times of ten, you think of number one first! Toad: (Scratching head) Woah! Wait a minute! That’s way too many numbers! Badger: OK. Let me put it to you simply. (Pauses) You are one selfish, conceited creature! (Everyone gasps) Mole: Oh Badger! Must you? It’s such a lovely day and we were having such a fine time here by the river

The Tales of Beatrix Potter Guided Reading Part III This is the third of a four part series of plays including: The Tales of : • Mrs. Tittlemouse (cast of 6) • Timmy Tiptoes (cast of 6) • Johnny Town-Mouse (cast of 3) • Mr. Tod (cast of 7) • Pigling Bland (cast of 8) These five scripts are of varying lengths but take approximately five minutes each to read, with the total number of speakers at 30. The exception is The Tale of Mr. Tod which is around 15 minutes reading time – this the longest script in the collection. These plays are simple adaptations/conversation pieces based on Beatrix Potter’s tales, for use within the class room. They can either be used as group readers or combined to create a whole class play/assembly. They can be used as PSHE/Citizenship and/or Literacy resources – there are many tips on behaviour both within the scripts and afterwards, in the Q & A/Discussion sections. In the case of the latter, these offer a very simple line of questioning – they are intended as a starting point for further discussion and can of course be expanded beyond this simple format. Tale 11 The Tale of Mrs. Tittlemouse Cast of 6 Mrs. Tittlemouse (Thomasina) Beetle Ladybird (Mother Ladybird) Spider Bumble Bee (Babbitty Bumble) Toad (Mr. Jackson) How can you feel anything but total sympathy for Mrs Tittlemouse – so house-proud and having her spotless house invaded by so many uninvited (and extremely messy) guests? Especially Mr. Jackson – who definitely needs familiarising with the expression ‘outstaying your welcome’! Sample Text: Mrs. Tittlemouse: (Indignantly) But none of you were invited! You all just let yourselves in! Beetle: Are you calling us trespassers? Ladybird: You who told me my house was on fire? Mrs. Tittlemouse: Well, I had to get rid of you somehow! Spider: And there I was, just looking for Little Miss Muffet! Mrs. Tittlemouse: And leaving trails of cobwebs behind, wherever you went! Bumble Bee: (Tutting) Zizz, Bizz, Bizzz! Mrs. Tittlemouse: (Impatiently) Meaning? Bumble Bee: Zizz, Bizz, Bizzz! Mrs. Tittlemouse: (Sarcastically) Very helpful! Toad: I think what she is trying to say is Bumble Bee: (Interrupting angrily) Hey, I can speak for myself, thank you very much! Mrs. Tittlemouse: So, perhaps you can explain all that moss I found in my store cupboard? Bumble Bee: (Hesitantly) Well, it was, er, Mrs. Tittlemouse: Home to your family of bees! The cheek of it! Beetle: (Gasping) Ooh! You mean, she’d set up house (pausing) inside your house? Mrs. Tittlemouse: Exactly! Without so much as a please or a thank you! Ladybird: You mean, Babbitty Bumble just (pauses) moved in? Mrs. Tittlemouse: Quite so! (Pauses) So now can you see why I was less than accommodating to the rest of you? Beetle: Well, if you’re going to be taken advantage of like that, of course we understand. Oh dear! And there I was worrying about my dirty feet!

A Collection of Seven Fairy Tales, adapted to Reader’s Theater, originally written by Brothers Grimm, and given a wee twist by Sue Russell. *As explained below, these scripts are available separately – but together, this collection offers a 60% discount. Rumpelstiltskin Rapunzel Little Red Riding Hood Hansel and Gretel Cinderella Sleeping Beauty Snow White These plays each have a cast of 6. Reading time varies between 10 – 15/20 minutes. With synopsis, teaching input, discussion and suggestions for further activities. *These scripts are available as separate plays (without Readers Theater adaption i.e. with music suggestions and stage directions). Sample Text from Rumpelstilskin: Narrator: Good morning. And welcome to one of our favourite fairy tales Rumpelstiltskin: Rumpelstiltskin! That’s me! Narrator: A veritable fiend! Villain! Crook! Rumpelstiltskin: (Interrupting) Er, wait a minute! Are we talking about the same fairy tale? Narrator: Well, I think so. Weren’t you the horrible little Rumpelstiltskin: (Interrupting) Could you be just a tiny bit less offensive? I mean, ‘horrible’, ‘little’. Aren’t there any rules on political correctness here? Narrator: (Apologetically) Oh I’m sorry. You’re right. I’ll try not to follow this script I have here, quite so much Rumpelstiltskin: Here! Let me take a look at that! (Snorting) Pah! As I thought! Those Brothers Grimm! The way they described their characters! They’d never get away with it today! ‘Little man’ indeed! How would they like to be vertically challenged? Narrator: You know, I do sympathise with you. I think you have a right to feel the way you do! Rumpelstiltskin: Well, thank you Narrator: But that doesn’t completely excuse your behaviour. Rumpelstiltskin: (Exploding) My behaviour? What about that of the king and the girl’s own father?

Grammar and Punctuation Assembly Two camps: Grammys and Punks! Cast of 30 - easily adaptable up or down Duration: around 10 - 15 minutes This class play attempts to cover at least the basics of our great English Language - a pretty tough challenge! 'Coverage' includes: Punctuation: Capital Letters Full Stops Exclamation Marks Question Marks Commas Colons Semicolons Brackets Hyphens Quotation Marks Apostrophes Grammar: Nouns Proper Common Collective Abstract Pronouns Adjectives; Verbs Present Past Future Active and Passive Regular and Irregular Adverb; Preposition Conjunction Sample Text Narrator: (Growing increasingly impatient) Yes! Yes! Do please say what you’ve got to say! We do have a few more parts of speech apart from yourself to get through, you know! Grammy 2: (Huffily) Oh very well. I’ll keep it brief! (Punks all cheer) Grammy 2: Well, proper nouns are really just names. (Pauses) There! Is that brief enough for you? Narrator: Excellent! Thank you for that! (To audience) Phew! I thought for one awful moment we were going to be stuck with proper nouns until the end of the assembly! Next! Grammy 3: (Bashfully) Me? Oh I’m just a common noun! Narrator: Oh! Nothing remotely common about you I’m sure! Grammy 3: But that’s what I’m called! Grammy 2: That’s right! I’m proper! And he’s common! Word: Well, there are quite a few other types, like Grammy 4: Collective nouns – for example, a swarm of bees, a herd of sheep Grammy 5: And abstract nouns – things you can’t hold in your hand - like anger, time Narrator: (Looking at watch) Speaking of which, yes, I think that’s enough on nouns! Grammy 6: (Squeaking) But hey! I might be small, but don’t forget me! Narrator: And you are? Grammy 6: I’m a pronoun! Very important I am! Narrator: (To audience) Just like the rest of them! State your business, briefly if you can!

Roald Dahl School Assembly or Class Play Cast size: The small speaking cast of 6 can be increased to include the whole class by adding a supporting cast of characters taken from the five books. September 13th is Roald Dahl Day – this year it is also his centenary. To celebrate this great writer, I, Sue Russell have written an Assembly which attempts to capture just some of the man's genius. It is just a short assembly, looking at 5 of his works - The Magic Finger, BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts; but in looking at these books again, I for one was reminded of Dahl's amazing ability to create the most bizarre characters, and situations .. out of nothing. He was, I think, a genius and his memory stays vividly alive through his numerous brilliant books. The play has a small speaking cast - teacher (narrator) plus 5 students, who are asked to pick their favourite author (Roald Dahl - no surprises there!) and favourite books. These are The Magic Finger, The BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts. The supporting cast i.e. characters taken from these books, is left to the teacher's discretion i.e. depending on how many children there are in the class. Different 'favourites' could obviously be chosen and added to the ones 'my five' chose; and I have similarly left out extracts from the books, plus musical excerpts from the movies which could be added. This assembly can thus be expanded upon in a way to suit the individual class and their Dahl preferences. I hope I have provided a good starting point! If you are interested in looking at more great writers from Britain, I have written a Great British Writers Assembly which, along with Dahl, features the works of C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling. A good resource to have during National Children's Book Week, 1-7 October. Extract Lucy: The Giraffe, the Pelly and Me. Teacher: And why did you choose that one? Lucy: I loved the animal characters in it, including the monkey who isn't mentioned in the title! The three of them - the giraffe, the pelican and the monkey - make up a window cleaning gang, the giraffe acting as a ladder because of his magically long neck; the pelican acting as the bucket, with his special ‘Patented beak' and the monkey acting as the cleaner.

Great Artists Assembly or Class Play - Key Stage I Bruegel and Lowry Script Cast Size - 30 - easily adaptable up or down Duration - around 10 - 15 minutes depending on time spent on children's own artwork. (There is a section of the script dedicated to children showing and describing their own work - this section can be omitted thus reducing duration to around 5 - 10 minutes) Sample Script Bruegel: Oh well! Let me tell you now! I had to disguise myself as a peasant Child 12: Why? Bruegel: Oh so that I could see what it was like …. being a peasant! Child 13: And what was it like – being a peasant? Bruegel: Well, I try to show that in my paintings. Teacher: You see, children. Up to this time, only kings and queens and people with lots of money were painted. Narrator: Lucky for us Bruegel came along – and showed us how the poor people lived! (Bruegel goes back to work at his easel) (Lowry looks up from his work, and stands up) Lowry: So did I! Narrator: Pardon? Lowry: I also showed what it was like to be a worker! (Narrator walks over and holds up Lowry painting, to show cast and audience) Child 14: (To Teacher) That’s like the pictures you showed us, Miss! Teacher: Quite so! Child 15: They show us how people lived in the industrial cities of England. Child 16: Smoking factories Child 17: Long streets Child 18: Long people! Narrator: Pardon? Child 19: Oh, he means – the people look a bit like matchstick men! Lowry: (Laughing) That was my style! This script is one of the Famous People Series based on the lives of significant individuals in the past who have contributed to national and international achievements, comparing aspects of life in different periods. This list of ‘greats’ includes: · Queens - Elizabeth I and Victoria · Explorers - Christopher Columbus and Neil Armstrong · Inventors - William Caxton and Tim Berners-Lee · Women: (i) In Civil Rights - Rosa Parks and Emily Davison (ii) Nurses - Florence Nightingale, Mary Seacole and Edith Cavell. I am happy to write on alternative individuals as per my 'write on request' service - so please drop me a line on sue@plays-r-ussell.com

India Assembly Cast of 30 - easily adaptable up or down Duration - minimum 10 minutes reading time - this, as explained in Production Notes, could be increased to 30 minutes plus The cast (should that be caste?!) of this Indian Assembly or Class Play is anything but equal with the appearance of three gods - two with 4 arms and the other with 4 heads - which one is the narrator supposed to address? Just one of the many problems facing our narrator - the main one being sheer volume of music, colour, joy and .. well everything that makes India such a vibrant country! Sample Text: Music 2 (Shiva dances across ‘the stage’) (Narrator tries to stop him but is confused by the number of arms – four) Narrator: Er, em, excuse me … but who are you and what are you doing? Shiva: What am I doing? Isn’t it obvious? I’m dancing, of course! Narrator: Well, I think we can all see that. But who are you? Shiva: (Exploding) Who am I? Who am I? Narrator: Well, if you put it like that – yes, who are you? (Whole cast gasps in horror) (Child 7 goes over to Narrator) Child 7: (Aside) Surely you know who this is? Narrator: (Irritably) Well, do you really think I’d be asking if I did? Child 7: It’s Shiva – the Destroyer! (Narrator gasps) Narrator: Oh no! Not that god with the power of life and death? Child 7: That’s the one! Narrator: (To Shiva) Oh I am most dreadfully sorry! I had no idea that it was you, Shiva! Shiva: Oh I’ll forgive you! I guess I do look (waving arms around) pretty ‘armless! Narrator: Well, I wouldn’t say that! I mean, I think I counted … four arms? Shiva: Oh that’s nothing! When you compare it with number of names I have! Narrator: And they are? (Holds up fingers to start counting on) Now, let’s see. Starting with Shiva … Shiva: Er, I don’t think we have time to run through the others – there are over one thousand of them! This is one of several assemblies written by Sue Russell on different countries. Others include England, Scotland, Wales, Great Britain, Holland, Australia, France, Spain, Malta and India plus ‘Around the World in 20 Minutes’. Other Indian scripts: Divali and the Story of Rama & Sita (as a play within a play - a little like Midsummer Night’s Dream!) plus scripts on Gandhi and on the Indus Valley Civilisation.

Second World War School Assembly or Class Play What was the Blitz? What was it like to be an evacuee? What did Morrisons have to do with bomb shelters? Why did Americans call the first 6 months the ‘phoney war’? (Also available, set of 5 guided reading play scripts, with quizzes - Background/Beginnings of War, The Course of the War, Evacuation, the Blitz and War-time Life/Rationing; plus a collection of First World War scripts - Remembrance Day Assembly, First World War Assembly and First World War Poets Assembly) SAMPLE TEXT Second World War or World War II Assembly Evacuee 5: I was lucky. Although I got separated from my brother, I was looked after by a very kind couple .. and didn’t want to go back to the grimy old city I’d left. Evacuee 1:I was so home sick. But my Mum said she could only visit once a month. Evacuee 2: I wanted to go home too. But it was for our own safety. (All walk off. Sound of bombs and air raid siren. Air Raid Warden rushes on). Warden: (grabbing child): Quick! It’s an air raid! If you’re not quick, you’re dead! Get yourself into a shelter now! Narrator: Yes, once those sirens went on, you really didn’t want to be out in the open. Best be (pointing at 2 adults and 2 children under table) snuggled together, indoors, under your Morrisons Shelter. Mum (brandishing Morrisons bag). Two for one, this week only! ________________________________________ TEACHING ‘COVERAGE’ 6. Unit 9 Second World War Assembly (i) Whose was to blame? (ii) Timeline: 1914 – 1945 - Origins in First World War - Chamberlain’s Appeasement Policy - Fates of different countries - Battle of Britain - Blitz - V.E. Day - Hiroshima/Nagasaki - V.J. Day (iii) Who was involved (location on map) (iv) Evacuees (v) Air Raids/Shelters (vi) Recreation (vii) Rationing (viii) Role of Army, RAF and Navy (ix) Women’s role (x) Anne Frank (xi) Remembrance Sunday (In Flanders Fields) (xii) Today’s World Situation (United Nations) (xiii) Lessons learnt. MUSIC 1. Land of Hope and Glory 2. Run rabbit, run rabbit, run run run 3. Dad's Army theme 4. Pack up your troubles 5. Imagine -John Lennon

Midsummer Night’s Dream Assembly or Class Play This version of A Midsummer Night's Dream is directed, as a school assembly, by William Shakespeare's own son, Hamnet. Written for cast of 16-30, running time approx. 40 minutes, this play follows the original plot, but has some interesting twists along the way. And as if four confused lovers isn't enough to contend with on stage plus some very non-cooperative fairies - our poor director, Hamnet also has his playwright father to deal with! Sample Text Helena: You are teasing me! You still love Hermia! Lysander: How can you say such a thing? How I do repent, the tedious minutes I with her have spent! Helena: Lysander! This is not the time for bad poetry! Stop your teasing now! Lysander: But why would I not change a raven for a dove? Please, Helena! Come with me now! Let us leave hideous Hermia! Believe me (looking over at the snorting Hermia), you'd be doing me a big favor! Helena: (Sarcastically) So romantic! Men! Who'd have them? (Helena storms off) Lysander: Hmm. I can see I may need another trip to that Charm School! (Turning to Hermia) I've hung around with this one quite long enough. What did I ever see in her? What a sight! I'm off to honor Helena and to be her knight! (Exit) (Hermia wakes, screaming, from a nightmare) Hermia: Lysander! Help me! My worst nightmare ... (Frantically searching through suitcase) Please don't say I've left my make-up bag behind? Other Shakespeare scripts written by Sue Russell: Assemblies: • Macbeth • Different Midsummer Night’s Dream alternative ‘Nightmare’ versions! • Romeo & Juliet – Valentines Assembly • Romeo & Juliet in Love … Well, weren’t they? Guided Reading scripts: • Shakespeare Plays (8 mini condensed versions) • Set of 4 alternative Shakespeare scripts - Hamlet, Macbeth, Midsummer Night's Dream and Romeo & Juliet (incl. detailed synopses and lesson plans) • Alternative Hamlet script plus lesson plan • Alternative Macbeth script plus lesson plan • Alternative Midsummer Night's Dream script plus lesson plan • Alternative Romeo & Juliet script plus lesson plan Alternative fairy tales – Cinderella and Sleeping Beauty – which are in the PSHE section of the website. Plus • Take a Book – Different Genres of Writing Assembly • Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books. • Roald Dahl Assembly